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Latin: A Linguistic Introduction

By Renato Oniga and Norma Shifano

Applies the principles of contemporary linguistics to the study of Latin and provides clear explanations of grammatical rules alongside diagrams to illustrate complex structures.


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The Ancient Language, and the Dialect of Cornwall, with an Enlarged Glossary of Cornish Provincial Words

By Frederick W.P. Jago

Containing around 3,700 dialect words from both Cornish and English,, this glossary was published in 1882 by Frederick W. P. Jago (1817–92) in an effort to describe and preserve the dialect as it too declined and it is an invaluable record of a disappearing dialect and way of life.


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Linguistic Bibliography for the Year 2013

The Linguistic Bibliography is by far the most comprehensive bibliographic reference work in the field. This volume contains up-to-date and extensive indexes of names, languages, and subjects.


Academic Paper


Title: Asymmetries in the intonation system of the tonal dialect of Maastricht Limburgish
Author: Carlos Gussenhoven
Email: click here to access email
Homepage: http://www.ru.nl/taalwetenschap/medewerkerspagina's/carlos-gussenhoven/
Institution: Radboud Universiteit Nijmegen
Linguistic Field: Phonology
Subject Language: Limburgish
Abstract: The lexical tone and intonation contrasts in the Limburgish dialect of Maastricht are remarkable in a number of ways. While a falling pitch contour on an IP-medial syllable signals a non-declarative intonation, on an IP-final syllable it signals a declarative intonation. In addition, although there is a binary tone contrast (Accent 1 vs. Accent 2) and four nuclear intonation contours, only three intonation contours exist for nuclear syllables with Accent 2, while in IP-final position only two intonation contours exist for nuclear syllables with Accent 1, so that the full set of four intonation contours is only observable in IP-medial nuclear syllables with Accent 1. The context-dependent function of the pitch fall and the asymmetries are explained by a grammar in which the OCP is enforced absolutely, and the number of tones per syllable is restricted to two, unless the three tones each represent a different morpheme: OCP, R≫#TTT.

CUP at LINGUIST

This article appears in Phonology Vol. 29, Issue 1, which you can read on Cambridge's site or on LINGUIST .



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